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Brutal London is British Book Design & Production Awards finalist

We are delighted that Brutal London is a finalist for the British Book Design & Production Awards, Photographic Books, Art / Architecture Monographs. With photography and text Simon Phipps, book design by A Practice for Every Day Life, commissioned and edited by Ed Griffiths with production by Rebecca Gee, this is a very handsome book.

 

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A New Year Letter

2 January 2017

Dear September Authors and Supporters

Happy New Year! It seemed a good moment, in the quiet first days of the year, to update you and look ahead. 2016 was our second year of actual publishing (as opposed to commissioning and plotting) and it was wonderful to see books by Sharon Blackie, Angela Kiss, PJ Kavanagh, Emily Stott, Simon Phipps, Jim Richards, Howard Spencer and the English Heritage Blue Plaque team reach the public. We’ve seen authors on BBC Breakfast, featured in the Telegraph, the Guardian, Time Out, the Sun, the Evening Standard and we’ve listened to them on Midweek, Robert Elms and Start the Week amongst many others. Some big sales surges have come from these traditional press platforms, but just as many have come from online influencers, whether it’s blogs and communities like Spitalfields Life and Londonist, or authors and tweeters like Melissa Harrison, or organisations like the Twentieth Century Society.

We’ve worked with some wonderful new designers, including APFEL (Brutal London), Sandra Zellmer (The Secret Life of Ceramics) and Jamie Keenan (Gold Rush & Sharks), and collaborated with new editors and publicists, such as Justine Taylor, Ed Griffiths and Fiona Brownlee.

2017 will see a bigger list, with new illustrated and narrative titles. It’s an important year – our first titles will be distributed in the USA via Global Book Services. We will publish our first fiction – an anthology of ghost stories with English Heritage – and we have new books with comedian and activist Mark Thomas and investigative reporter Conor Woodman. We will also publish Christopher Nicholson’s (author of Elephant Keeper and Winter) first non-fiction title; an exquisitely written account of a summer spent in search of snow in the Scottish Highlands which we feel confident will become a classic of the nature writing genre. There is an extraordinary memoir of London’s Columbia Road, a story of mid-century Midlands’ lives and artist Alice Stevenson’s second book Ways to See Great Britain.

Last year was made more difficult by print price increases post-Brexit. It was made more daunting by the rise of reactionary, protective, xenophobic politics, and by a new US president interested only in commerce and the protection of wealth. But publishers – the interesting ones – fight against insularity by looking ahead, then finding articulate, enlightening writers and creatives who will chime with our concerns, interests and desires AND broaden them.

This year we will start a new project with an artist and writer based in Paris, born in Serbia, inspired by the wisdom of her friends. We’re inspired by Edna Adnan who founded a hospital and university in Somaliland on her retirement, cashing in her WHO pension and building
from scratch on unwanted, tainted land. And last but not least I’ve been energised by two young aspiring writers who were refugees in Lisbon and the UK, from Portuguese West Africa. There’s a lot to look forward to.

It’s such a rich, rich world, with such varied lives and ways of telling – and it’s a privilege to work within an intelligent industry with so many terrific people. So many thanks from Charlotte and I, and the larger September community, for your work and faith.

Hannah

 

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Re-evaluating Brutalism on the Foyles blog

‘Its ideals, as realised in skilled and innovative design displaying in buildings such as Erno Goldfinger’s Trellick Tower and Denys Lasdun’s National Theatre, can invoke the sublime with their expressed structure, massed forms and exposed materials of concrete, block and brick.’
Simon Phipps on re-evaluating Brutalism for the Foyles blog.

 

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Brutal London – out today!

I’m delighted to write that Brutal London, a collection of Simon Phipps’s photography of the Brutalist architecture of London, is published today.

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It has been very heartening to see the reaction and support from many architecture and design enthusiasts online already, so thank you if you have been part of that. It’s also been great to hear from bookshops and other retailers who will be stocking the book, and I’ll be packing up posters today for those who want to display them. If you’re a retailer and would like one, please feel free to drop me a line at ed [at] septemberpublishing [dot] org.

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I thought I’d pick a highlight from the book to showcase on the blog. It comes from my home borough of Wandsworth, and is accompanied below by Simon’s explanatory text. It’s a visually very striking spread with building information which really furthered my knowledge of the origins of the Brutalist movement.

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We’ll be posting blogs and other bits of upcoming press here. I thought today I’d share a sentence by Simon which appears in a soon-to-be-published blog piece, and which echoes my feelings about the book entirely:

‘I am hopeful that the book will contribute by acting as an incentive for people to roam, to walk the city and give consideration to the great wealth of Brutalist and modernist architecture bestowed upon London by visionary architects.’

Roam away! And do share your experience with us on Twitter @septemberbooks or Instagram @septemberpublishing.

Ed Griffiths, editor and publicist

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Brutal London – a new book for December

We are delighted to announce that we will be publishing BRUTAL LONDON by Simon Phipps on 1 December. This is a collection of Simon’s stunning photography of inner London buildings in the architectural style of raw concrete known as Brutalism. Designed by A Practice for Everyday Life, an iconic, tactile and desirable book.

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If you’d like to see Simon Phipps’s photographs before December, do call into his exhibition Béton Brut at The Foundry Gallery in Chelsea, London. Some photos have been strikingly screen printed onto brushed aluminium, and others are shown in a new light against backdrops of block colour in paints by – very fittingly – Les Couleurs Le Corbusier.

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BRUTAL LONDON was commissioned and edited by Ed Griffiths, a freelance consultant we are very pleased to have onboard.