Brick Lane Bookshop were also there, selling the books.
(Photos Louise Norton)
Congratulations to Linda Wilkinson, whose book Columbia Road – a compelling memoir of family secrets and personal discovery; characterful, rich and visceral as the East End itself – is out today.
Here Linda talks about the eponymous road and her book:
(film by Louise Norton)
On a very warm London evening, thank you to Hatchards for hosting a fabulous launch yesterday for Alice Stevenson’s Ways to See Great Britain. It was a busy, lovely event.
Funny, provocative and moving, The Liar’s Quartet includes the scripts with brand new commentary from Mark Thomas’ most acclaimed comic, political theatre. Layered with political insight (and insult), and peppered with anecdote, this is a bravura performance in its own right.
Each multi-award winning show examines Thomas’ obsession with the bonds that bind us, those of family, friends and communities. Beginning with Bravo Figaro!, Mark puts on an opera in his dying father’s living room (with the help of Royal Opera House singers) to explore their relationship. In Cuckooed, he unpicks the betrayal of a friend and a fellow activist who was in fact employed to spy for the UK’s biggest arms company, BAE systems. And in The Red Shed, Mark returns to his political roots to harness the power of collective memory and celebrate the importance of working-class struggles and narratives in a story he describes as ‘a topical tale about the miners’ strike’.
Laughter, anger and connection. Mark Thomas is more essential than ever . . . and The Liar’s Quartet is published today.
Congratulations to Alice Stevenson, whose wonderfully inspiring and curious book Ways to See Great Britain is published today.
Here is a taster from our sales force, Turnaround:
This insightful and gripping book is published today. Here is an excerpt from the introduction by the author, Corinne Sweet:
“Nottinghamshire, 1930. A county in the Midlands, right in the centre of England, with a heavily industrialised city at its heart. Nottingham was known for its tightly-packed, soot-encrusted, red-brick back-to-back terraced houses; smoke curling over cooling towers, barges on canals, trams and buses cutting through cobbled streets. Narrow lanes led to industrial yards and huge factories, and teemed with street sellers, and horses and drays led by cloth-capped workers. People made their way around town on foot or pushing sit-up-and-beg bicycles.
When Money on’t Table begins, Nottingham was renowned for its manufacturing, and for three household names in particular: Boots the Chemist, Players cigarettes and Raleigh bicycles. There were other industries as well, names like Avery, Austin Reed and – in nearby Derby – Rolls-Royce. It was the heartland of England and chimed with national pride.
It has changed so much in today’s post-industrial world, but there are still some amazing older people in Nottingham who can speak about their lives and times working in the now disappeared factories. This the gritty stories in this book we follow the lives of Derek, Betty, Albert, Pauline, Dorreen and Bob, from 1928 to about 1960.
They have a lot in common: they all grew up in hardship. The toilet was at the bottom of the yard, they had no running water, no central heating or even electricity in some cases, and certainly no TV, phone or other mod cons. It was a time of deprivation and hard work – most left school at 13 or 14 to put money on the kitchen table. But it was also an era of community, of sharing and caring, and learning to make do on very little.
The men and women in this book were resilient and faced life with good humour, despite experience of challenging events such as war, disease, disability, inequality, poverty and the death of loved ones. Hearing their fascinating stories is to be brought into direct contact with a way of life in the city now forever gone.”
Corinne Sweet, from the introduction to Money on’t Table – Grit, Work and Family Pride
We are very pleased to congratulate Conor Woodman on the publication of his hair-raising book Sharks: Investigating the Criminal Heart of the Global City.
Misha Glenny, author of McMafia and Nemesis, has said:
‘Conor Woodman seeks to become a victim of each crime before engaging with the criminal him or herself. This leads him to the end of a barrel of a gun on more than one occasion and reveals the rotting underbelly across the world, whether in New Orleans, Jerusalem or Bogotá.
‘I almost hesitate to admit it but while this book is at turns astonishing and frightening, it is peppered with great wit and the reader will occasionally find it hard to stop themselves from laughing out loud.’
Conor will be talking about the book at Cafe Zedel this Thursday, get your tickets here. And for a preview:
I’m delighted to write that Brutal London, a collection of Simon Phipps’s photography of the Brutalist architecture of London, is published today.
It has been very heartening to see the reaction and support from many architecture and design enthusiasts online already, so thank you if you have been part of that. It’s also been great to hear from bookshops and other retailers who will be stocking the book, and I’ll be packing up posters today for those who want to display them. If you’re a retailer and would like one, please feel free to drop me a line at ed [at] septemberpublishing [dot] org.
I thought I’d pick a highlight from the book to showcase on the blog. It comes from my home borough of Wandsworth, and is accompanied below by Simon’s explanatory text. It’s a visually very striking spread with building information which really furthered my knowledge of the origins of the Brutalist movement.
We’ll be posting blogs and other bits of upcoming press here. I thought today I’d share a sentence by Simon which appears in a soon-to-be-published blog piece, and which echoes my feelings about the book entirely:
‘I am hopeful that the book will contribute by acting as an incentive for people to roam, to walk the city and give consideration to the great wealth of Brutalist and modernist architecture bestowed upon London by visionary architects.’
– Ed Griffiths, editor and publicist
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